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Real and not real, fact and fiction, Frengland (a combo of France, England, and Ireland) and Batavia (the Netherlands) fight the climactic Battle of Yonkers, recorded and viewed for the first time at the Hudson River Museum, situated by the river in the very countryside that inspired the 19th-century Hudson River School painters.
The landscapes of three artists, Jasper Cropsey, Asher Durand, and James Renwick Brevoort, paintings on view at the Museum, inspired Frohawk’s scenic work for this exhibition, which also include almost a dozen new pieces among them .
The installation, itself, always requires new construction and problem solving aided by programming platforms for electronics and the traditional push and pull of winches, pulleys, and rigging. Kuehnle who teaches at the Cleveland Institute of Art, has had solo shows at museums, galleries and universities in the United States and internationally.
In 2014 he was selected for the national survey exhibition This exhibition is the final episode in the artist’s series on Colonial America, his successful combining of art, history, and sometimes wicked but always fun-to-read commentary on people — Europeans adventurers and explorers, North American Indians, freed and enslaved blacks, and ravishing women who love, laugh, and die on the banks of the Hudson from Manhattan up to Lake Oneida.
Glass figures, they are fragile and exhausted from the wars.
The wooden horse soars 22 feet high in the center of the exhibition and is illuminated from within.
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Bestowing kinetic energy on a sculpture demands of its maker a sophisticated approach to scale and movement.
The exhibition is organized by the Hudson River Museum and curated its Deputy Director Bartholomew F. Washington, the nation’s first soldier and president, is the prototype for political promotion, too.